A JAZZY score and light-hearted banter underpin the strong and serious message of FCT’s well-judged musical offering for the Fringe.
Originally produced by the company in 1985, The Chess Game is written by their musical director Iain MacDonald. It is both a timely piece of entertainment and one which perfectly weighted for its young performers.
A collection of anonymous, white and black-clad figures emerge out of darkness. Over the musical they form up into a hierarchy, with individuals taking the roles of the chess pieces, and then the pieces take on the aggressive qualities of the game of chess, to a brilliantly twisted finale.
The older members of the cast, such as Rebecca Gilhooley as the White Queen, and the quartet of girls as the media-savvy Knights, put in strong and subtle performances.
The younger members shine too. Hayley Scott and Liam Thomson as the lead pawns trade on their strengths – hers in her voice, his in his acting – with great, heartfelt performances.
Which is what makes this production so entrancing. It entices the performers out of their comfort zones – but not so far as to leave them exposed – with strong music and great rhythms that are complex in structure, but satisfying to listen to.
Run ends Saturday