Our Easter Show 2012. Auditions this Sunday. December 11th.

Next Year FCT will be staging 13 The Musical at The Pleasance Theatre in Edinburgh.

It’s been a smash hit on Broadway and is full of fantastic numbers like these ones.

This is the title track

And a few more…

The production team will be led by Ronan Radin, MD’d by Andrew McDivvit and Choreographed by Katie Renton; all three making their production debuts for FCT but all three ex cast members.  A lot of fun is guaranteed.

AUDITIONS ARE JUST AROUND THE CORNER!

We’re all very excited about the auditions on Sunday.

Please be there, at Bangholm, prompt at 10am as we want to crack into the fun workshops we have planned!

If people have problems making the full day then please do get in touch as there may be a way to get round it!

We’d really appreciate it if you could all let your friends know about the auditions as it would be great to have as many people as possible. Please share this link on facebook (we’ll be checking to see who has actually done it).

http://www.facebook.com/events/258159827560162/

If you have any questions then please get in touch with our director at ronanradin@hotmail.com

Looking forward to seeing you all on Sunday!

The production team x

Advertisements

Just So Scores four stars in ‘the news’

Once again the Evening News comes up trumps with a great review.
The opening night of Just So was a very challenging affair all in.  Twice the power tripped and the theatre was plunged into darkness.  But on both occasions cast and crew showed the utmost professionalism and we reached the end amidst tumultuous applause.
This was reflected in Josie Balfour’s four star  review.
Just So ****

St Bride’s Centre

EACH night, oh best beloved, men will lay out their two shoes and their little stone axe all in a line. A ritual preparation in order to have them handy for throwing at the cat when he scratches at the door to get out at 3am.

It’s a right passed down from father to son since before the days of Fred Flintstone and laid down in literature by Rudyard Kipling in the perennial children’s favourite Just So stories.

But The Cat That Walked By Itself is another story. Last night was devoted entirely to the journey the Elephant’s Child had to take on his path to a little more wisdom and a far greater nose.

Performed by the Forth Children’s Theatre, Just So is a two-hour musical melding of several of Kipling’s stories into one extravaganza.

Taking on the weighty mantle of director for the first time was 19-year-old Cameron Dyer who, after the FCT’s award-winning Ragtime last festival, had rather a lot to live up to.

Acquitting himself well, Dyer shows an excellent eye for putting a production together. He handles the technical very well but may want to pull away from playing too much with the set and focus on the storytelling, particularly the moments when important props need to be highlighted and the audience needs to focus on a character’s solo rather than the moving set.

The leads were well cast and wore their characters confidently. Despite wonderful diction, accents and pronunciation, though, their vocal projection often didn’t have the strength or range to carry the score.

Rebecca Gilhooley’s feisty Kolokolo Bird played an amusing and thought-provoking foil for Andrew McDivitt’s endlessly inquiring Elephant Child, while Becki Clark’s Eldest Magician had the engaging touch of a rather posh bedtime storyteller.

Esther Scott and Gus Harrower’s double act as the hermit Parsee Man and Cooking Stove spent much of the night threatening to steal the show, only to be given a good run for their money by Kangaroo (Ronan Rafferty) and Dingo Dog’s (Kirsty Shaw) cautionary tale of wishful thinking. The real highlight last night, however, was the cast and crew’s absolute professionalism in keeping the show on track through two brief power cuts.

FCT trio in Edinburgh has talent final forty.

Here are the instructions…

Simply text the word ENTALENT followed by a space then key in the special code of your chosen act,  followed by a space then please key your postcode to 81800. Example (ENTALENT 041 EH8 8AS)
Texts cost 60p plus your standard network rate.

Alternatively, and this is particularly strategic for our trio, you can buy the paper and fill in the voting slip – this method counts as TWO votes, rather than the one vote garnered from a text message.

Do the math: 60p text message = ONE vote.  43p newspaper cut-out slip = TWO votes.

Post completed cut-out slips to: Edinburgh’s Got Talent, 108 Holyrood Road, Edinburgh, EH8 8AS or hand deliver to the Talent postbox in reception at the same address.

The best bit is….. you can vote as many times as you like!

C’mon everyone, let’s get them in the top ten so they can perform on the big night.

So, if you’re texting get your votes in folks for Matty Smith  ENTALENT 001

Rebecca Gilhooley  ENTALENT 016

and Charlotte Jones ENTALENT 015

ENDA Time!

In the 30+ years of FCT’s existence only one actor in Hollywood achieved back-to-back Oscar success. Well, FCT have done the equivalent in their field with consecutive Best Musical ENDAs in 2008 and 2009. An incredible feat given the competition.

Read on….

clip_image002

endagj

Yes, a bit difficult to read – here is the full article…

Theatre groups full of cheer after second award in a row

LIAM RUDDEN and LAURA CUMMINGS

Evening News  29 Aug 2009

TWO amateur theatre companies are celebrating after winning Evening News Drama Awards for the second consecutive year. Edinburgh Theatre Arts received the award for Best Play on this year’s Fringe at a glittering awards ceremony on the roof of The Gilded Balloon, in the Loft VIP Bar last night. The biggest cheer of the night came when Forth Children’s Theatre was named the winner of the Best Musical award for its production of Ragtime. It follows the youth theatre company’s success at the 2008 awards when it won the same accolade for its production of Jekyll and Hyde. Cabaret star Camille O’Sullivan presented Edinburgh Theatre Arts with the Best Play award for A Tale Of Two Cities, which centred on the French Revolution. Cabaret act Frisky and Mannish – also known as Laura Corcoran and Matthew Jones – presented Forth Children’s Theatre with its award. Frisky had the audience in fits of laughter when she said that both her and Matthew started off in the amateur world, which is “a great place to learn a sense of irony”. Chairman of Edinburgh Theatre Arts and director of A Tale Of Two Cities, John McLinden, 62, said: “It is fantastic to win the award because it is great recognition for six months of really hard work putting the show together. “It was quite a complicated show with 34 scenes, which we had to cram into St Ninian’s Church hall.” He laughed: “We also had to build a working guillotine for people to have their heads chopped off!” Director of Ragtime, Andrew Dyer, 23, added: “It is the second year in a row that we have won the award and we are very grateful. It was a very proud moment for everyone and the children are all fair away with themselves!” Around 100 actors, directors and producers from all 12 nominated amateur companies witnessed the presentation of this year’s awards. The awards were introduced by the Evening News two years ago to recognise the work of local companies during the Fringe. Edinburgh Theatre Arts, whose Fringe history dates back to the early seventies, won the Best Play for its production of Dennis Potter’s Blue Remembered Hills at last year’s awards. The drama awards were judged for the second year running by Scottish Community Drama Association adjudicator Ron Cattell, Evening News theatre critic Thom Dibdin, and Fiona Rogan – an arts professional with more than 30 years’ experience working with amateur groups across Scotland. The award for Best Musical was judged by Edinburgh actor Arron Usher, musicals producer Eleanor Brown, and James Haworth, general manager of the Edinburgh Playhouse. Mr Haworth, 39, said: “Many of the shows that the Edinburgh amateur companies have put on have actually been better than the professional productions I have seen this year. “The thing that you get from amateurs is an incredible enthusiasm.” “For amateurs to be able to perform in front of worldwide audiences is just an incredible treat for them.”

FCT wins the best Musical ENDA for second year running

On Friday night we gathered en-mass at the VIP Room at The Gilded Balloon to see how we had fared in the third ENDA Awards.  (Evening News Drama Awards) which are open exclusively for Edinburgh groups.  Liam Rudden has to be commended for bringing recognition to local groups in a Festival which is overwhelmed sometimes by comedy acts.

The Drama ENDA this year went to ETA for A Tale of Two Cities.  Well Done ETA on recording a double.

Next up; the best Musical award and we were facing Tempo and Edinburgh University’s Savoy Company.  We didn’t have to wait long though before the news we were all hoping for broke.  We’d won.  Again!

It was the perfect finish to the Fringe for a cast, band and crew that had truly excelled.

The moment of truth as Andrew Dyer hears the news...

The moment of truth as Andrew Dyer hears the news...

Roll on 2010.

The trophy.

The trophy.